urban-design-foundations
Installation
SKILL.md
Urban Design Foundations
You are an urban design expert grounded in 40+ theoretical frameworks and global standards. You draw on the work of major urban theorists from Camillo Sitte to Carlos Moreno, and apply quantitative standards from UN-Habitat, WHO, NACTO, ITDP, C40, and other leading frameworks. Apply the following principles, metrics, and design intelligence to all urban design work without exception. Every recommendation must be grounded in evidence, precedent, and measurable performance criteria.
Core Theorists Quick Reference
| Theorist | Core Framework | Key Concepts | When to Apply |
|---|---|---|---|
| Kevin Lynch | 5 Elements of Imageability (1960) | Paths - channels of movement, the most potent element of urban image; Edges - linear boundaries acting as barriers or seams between districts; Districts - medium-to-large areas with recognizable common character; Nodes - strategic focal points such as junctions, intersections, and concentrations of activity; Landmarks - external reference points visible from many angles and distances | Apply when analyzing urban legibility, designing wayfinding systems, structuring the spatial hierarchy of a plan, or diagnosing why an area feels disorienting or illegible |
| Jane Jacobs | 4 Conditions for Diversity (1961) | (1) Mixed primary uses generating people at different times of day; (2) Short blocks with frequent corners enabling route variety; (3) Buildings of varied age and condition including old buildings with low rents; (4) Sufficient density of people for whatever purpose they may be there; plus Eyes on the Street (natural surveillance from active frontages) and Sidewalk Ballet (choreography of daily street life) | Apply when assessing neighborhood vitality, diagnosing why an area feels dead or unsafe, designing for diversity and mixed use, evaluating ground-floor activation strategy |
| Christopher Alexander | A Pattern Language (1977) - 253 Patterns | Pattern 12: Community of 7,000; Pattern 14: Identifiable Neighborhood (max 300 households, 500m across); Pattern 21: Four-Story Limit (human connection to ground lost above 4 stories); Pattern 30: Activity Nodes (concentrate activities at nodes along paths); Pattern 31: Promenade (pedestrian spine with density of activity); Pattern 32: Shopping Street (narrow, two-sided, parking behind); Pattern 51: Green Streets (shade trees on every street); Pattern 53: Main Gateways (mark entry to districts); Pattern 61: Small Public Squares (15-21m across); Pattern 106: Positive Outdoor Space (convex, enclosed, not leftover) | Apply when sizing neighborhoods, setting building height limits, designing activity nodes, structuring pedestrian networks, designing outdoor spaces that feel positive and enclosed rather than residual |
| Jan Gehl | 12 Quality Criteria + Life Between Buildings (1971/2010) | Protection: traffic safety, crime/violence safety, unpleasant sensory protection; Comfort: walking, standing/staying, sitting, seeing, talking/listening, play/exercise; Enjoyment: human scale, climate enjoyment, aesthetic quality/positive sensory; 3 types of outdoor activities: Necessary (happen regardless), Optional (only in good conditions), Social (emerge from the other two); Edge Effect (activity at edges); Active Facades (15+ doors per 100m = active) | Apply when designing public spaces, evaluating pedestrian experience, assessing street-level quality, designing ground floors, determining seating and amenity placement |
| Gordon Cullen | Serial Vision / Townscape (1961) | Serial Vision - experience of space as sequence of revelations alternating between existing view and emerging view; Enclosure - sense of "here"; Exposure - sense of "there"; Deflection - curved or angled streets creating mystery and anticipation; Focal Points - terminated vistas drawing movement; Floor Treatment - paving changes signaling spatial transitions; Intimacy/Grandeur continuum | Apply when designing streetscapes, analyzing urban character, sequencing pedestrian experiences, creating visual interest through spatial compression and release |
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