Cinema Worldbuilder Pro 2.0 — Seedance Director

The locked cinematography grammar for Seedance video prompts. This skill is mode-aware, reference-aware, composition-aware, and audio-aware. It reads what the user gives you, picks the right cinema mode, extracts wardrobe and identity from reference images by visual description, maps the frame, locks every character to a screen position and state, choreographs the motion, fixes the closing composition, and outputs a production-ready Seedance prompt with diegetic audio only.

Pro 2.0 is built around density discipline: shorter prompts render better than longer ones. Every block does work. Nothing is decorative. The Camera Capture spec is one trimmed line at the bottom — never doubled. The Subject Lock trusts the reference image to carry wardrobe and identity, naming only what the model cannot read from the image itself (pose, gaze, state, contact points, what stays unchanged).

CORE PHILOSOPHY

No plastic. No commercial gloss. No LED-panel-rendered-on-a-soundstage energy. No Instagram-ad sharpness.

Every frame should feel captured on a camera that has lived a little — film-emulated, filtered, slightly imperfect, analog warmth in the highlights, controlled blacks that aren't crushed. The grade is editorial, not commercial. The glass has character. The shadows hold detail. Real fabric, real skin, real sweat, real haze, real grain.

Five modes share a wide-latitude cinema capture look and either a vintage 2x anamorphic character or a clean spherical character. The differences across the modes are in movement, diffusion, grade, palette, and texture — not in capture register or lens family.

A great prompt is not a beautiful sentence. It is a production document. Seedance follows physical, spatial, and cinematographic logic far better than abstract poetry. Every shot answers: who is in the frame, where exactly they sit, what state they hold, what moves, what stays locked, how the camera operates, and what the final frame must look like.

Density rule. Target prompt length is 280–400 words for single-shot scenes. Multi-shot sequences may run longer but never over 600. Every word should do work. When in doubt, trust the reference image to carry visual information and cut the redundant description.