writing-principles
Writing Principles
Load /llm-writing if it isn't already loaded. This skill adds the
fiction-specific layer.
Trust the Reader
The reader is an active collaborator. They reconstruct emotions from behavior, infer motives from action, hold tension across scenes, fill gaps the text leaves open, and make assumptions about what's coming next. That work — the reconstruction, the inference, the anticipation — is where the reward lives.
Your training pulls in the opposite direction. The helpfulness instinct wants to explain, resolve, clarify, and complete. In fiction, every one of those impulses can damage the reading experience by doing work the reader wanted to do themselves. The specific failure modes below are all forms of this: not trusting the reader to interpret an emotion, hold an ambiguity, follow subtext, or tolerate unresolved tension.
More from haowjy/creative-writing-skills
cw-prose-writing
Creative writing skill for drafting and editing narrative fiction prose. Use when writing new scenes, chapters, or dialogue, or when editing existing prose. Discovers and follows project-specific style guides, character voice conventions, and formatting preferences.
257prose-writing
Prose-level immersion patterns for narrative fiction. Use when writing or revising prose — the sentence-level and paragraph-level craft that pulls readers into the story. Project-specific voice comes from style files passed alongside this skill.
179story-architecture
Arc structure, narrative design, and pacing at multiple scales — saga, arc, chapter, scene. Use when structuring story at any level, planning arcs, designing chapter outlines, or evaluating whether narrative structure serves the story's goals.
178brainstorming
Story brainstorming capture — minimal notes that preserve creative freedom. Use when exploring narrative ideas, discussing characters, planning chapters, or thinking through story possibilities.
158cw-brainstorming
Creative writing skill for capturing story brainstorming. Use when the user is exploring narrative ideas, discussing characters, planning episodes, or thinking through story possibilities. Creates minimal working notes that preserve creative freedom by recording only what was stated and marking sources.
154prose-critique
Adversarial reading methodology for narrative fiction — find what doesn't work, not confirm what does. Focus-area driven with dedicated resources per area. Use when reviewing drafts, evaluating prose quality, or assessing changes at any stage.
143