Remotion Narrated Video Essay

Build a polished video around the recorded narration while preserving the speaker's pace and point of view.

Editorial shape

• Keep the talking-head shot as the default visual. Prefer contextual media as an overlay rather than cutting away repeatedly.
• Use full-screen material sparingly: reserve it for a visually rich event or a sustained screen capture that needs attention.
• Match each overlay to the actual speaking beat. When narration is shortened, derive every B-roll cue from the same original-to-edited timeline mapping rather than shifting timings by guesswork.
• If cleaning a recorded talk, remove only clear filler, dead air, or repeated explanation at sentence boundaries. Preserve natural breaths and any cut that would create a visible pose or gaze jump.
• Never alter the camera original. Create a separately named proxy or edited narration track.

Narration phrasing and timing

• Before generating narration, audit long lists, parallel clauses, comparisons, and closing triads for phrases that the voice may run together. When the user limits the edit by priority, change only the approved priority tier and preserve every word; punctuation-only approval does not authorize rewriting.
• Regenerate only the affected narration IDs, use versioned filenames, and keep unrelated visuals and audio unchanged except for timing adjustments required by the new duration.
• Do not assume commas or periods created an audible pause. Check the selected WAV with word timestamps and silencedetect, and record the pause at every edited high-priority boundary.
• Base scene safety on the final spoken-word end rather than the container duration. Leave at least 0.5 seconds before the next narration, music entry, transition overlap, or scene end. For a music cue triggered by a mention, measure from the end of the mentioned phrase.