cinematic-motion

One identity: opening credits, projected on studio print — the scroll is the projector, the paper is the screen, and one electric blue is the light.

1. PALETTE (Fixed)

• Canvas: #F7F5E7 (warm studio paper — never white, never grey). Cards: #FCFBF4. Hairline rules: rgba(18,18,18,0.14).
• Ink: #121212 (all primary type). Muted: rgba(18,18,18,0.55) (labels, secondary). On dark scenes invert: ink canvas, paper type, rgba(247,245,231,0.16) hairlines.
• Accent — exactly one: #0F4BFD (electric blue). Used for: the accent word, one hairline, stats, one fill. That's the budget.
• The canvas flips are the rhythm: paper scenes alternate with ink scenes and one full blue scene. Scene-hops are the signature; max two ink scenes (the index and the roadmap own them) and one blue section per page.
• NO gradients (the paper is the texture — clean, flat, no grain, no blends), NO second accent, NO pure black (#000), NO white sections.

2. TYPOGRAPHY (Fixed)